{"id":3259,"date":"2025-05-27T14:03:23","date_gmt":"2025-05-27T18:03:23","guid":{"rendered":"https:\/\/sixtrum.com\/sixtrum-2\/repertoire\/"},"modified":"2025-06-26T12:17:34","modified_gmt":"2025-06-26T16:17:34","slug":"repertoire","status":"publish","type":"page","link":"https:\/\/sixtrum.com\/en\/sixtrum-2\/repertoire\/","title":{"rendered":"R\u00e9pertoire"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column]\n\t\t\t<!-- START Biographie REVOLUTION SLIDER 6.7.38 --><p class=\"rs-p-wp-fix\"><\/p>\n\t\t\t<rs-module-wrap id=\"rev_slider_35_1_wrapper\" data-source=\"gallery\" style=\"visibility:hidden;background:transparent;padding:0;\">\n\t\t\t\t<rs-module id=\"rev_slider_35_1\" style=\"\" 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\n\t\t\t\t\t\t\t\tclass=\"rs-pxl-4\"\n\t\t\t\t\t\t\t\tdata-type=\"image\"\n\t\t\t\t\t\t\t\tdata-xy=\"x:c;xo:-199px;y:b;yo:-1px;\"\n\t\t\t\t\t\t\t\tdata-text=\"w:normal;\"\n\t\t\t\t\t\t\t\tdata-dim=\"w:237px;h:239px;\"\n\t\t\t\t\t\t\t\tdata-vbility=\"f,f,f,t\"\n\t\t\t\t\t\t\t\tdata-basealign=\"slide\"\n\t\t\t\t\t\t\t\tdata-rsp_o=\"off\"\n\t\t\t\t\t\t\t\tdata-rsp_bd=\"off\"\n\t\t\t\t\t\t\t\tdata-frame_1=\"st:500;sp:1000;sR:500;\"\n\t\t\t\t\t\t\t\tdata-frame_999=\"o:0;st:w;sR:7500;\"\n\t\t\t\t\t\t\t\tstyle=\"z-index:9;\"\n\t\t\t\t\t\t\t><img decoding=\"async\" src=\"\/\/sixtrum.com\/wp-content\/plugins\/revslider\/sr6\/assets\/assets\/dummy.png\" alt=\"\" class=\"tp-rs-img rs-lazyload\" width=\"5300\" height=\"5340\" data-lazyload=\"\/\/sixtrum.com\/wp-content\/uploads\/2024\/01\/1-SIXTRUM_logotype_X-blanc.png\" data-no-retina> \n\t\t\t\t\t\t\t<\/rs-layer><!--\n\n\t\t\t\t\t\t\t--><rs-layer\n\t\t\t\t\t\t\t\tid=\"slider-35-slide-207-layer-5\" \n\t\t\t\t\t\t\t\tclass=\"rs-pxl-4\"\n\t\t\t\t\t\t\t\tdata-type=\"text\"\n\t\t\t\t\t\t\t\tdata-color=\"#ffffff\"\n\t\t\t\t\t\t\t\tdata-xy=\"x:c;xo:-200px;y:c;yo:40px;\"\n\t\t\t\t\t\t\t\tdata-text=\"w:normal;s:28;l:38;fw:300;\"\n\t\t\t\t\t\t\t\tdata-dim=\"w:441px;\"\n\t\t\t\t\t\t\t\tdata-vbility=\"t,t,t,f\"\n\t\t\t\t\t\t\t\tdata-rsp_o=\"off\"\n\t\t\t\t\t\t\t\tdata-rsp_bd=\"off\"\n\t\t\t\t\t\t\t\tdata-frame_1=\"st:500;sp:1000;sR:500;\"\n\t\t\t\t\t\t\t\tdata-frame_999=\"o:0;st:w;sR:7500;\"\n\t\t\t\t\t\t\t\tstyle=\"z-index:10;font-family:'Poppins';\"\n\t\t\t\t\t\t\t> Exploring contemporary percussion since 2007 \n\t\t\t\t\t\t\t<\/rs-layer><!--\n-->\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t<\/rs-slides>\n\t\t\t\t<\/rs-module>\n\t\t\t\t<script>\n\t\t\t\t\tsetREVStartSize({c: 'rev_slider_35_1',rl:[1240,1024,778,480],el:[900],gw:[1240],gh:[900],type:'standard',justify:'',layout:'fullscreen',offsetContainer:'',offset:'10%',mh:\"0\"});if (window.RS_MODULES!==undefined && window.RS_MODULES.modules!==undefined && window.RS_MODULES.modules[\"revslider351\"]!==undefined) {window.RS_MODULES.modules[\"revslider351\"].once = false;window.revapi35 = undefined;if (window.RS_MODULES.checkMinimal!==undefined) window.RS_MODULES.checkMinimal()}\n\t\t\t\t<\/script>\n\t\t\t<\/rs-module-wrap>\n\t\t\t<!-- END REVOLUTION SLIDER -->\n[\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; padding_top=&#8221;64&#8243; padding_bottom=&#8221;64&#8243;][vc_column width=&#8221;5\/6&#8243;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h1>R\u00e9pertoire<\/h1>\n<h3>18 years of percussion exploration<\/h3>\n<p>Clicking on the composer&#8217;s name will take you to their website or a page dedicated to them. Clicking on the titles will take you to videos of Sixtrum performing the work, where available.<\/p>\n<p><a href=\"https:\/\/ondrejadamek.com\/?lang=fr\" target=\"_blank\" rel=\"noopener\"><strong>AD\u00c1MEK Ond\u0159ej<\/strong><\/a> &#8211; <em>Fishbones<\/em> (2007)<br \/>\n<strong>BAZ\u00c0N-GAUTHIER<\/strong> <strong>Jos\u00e9-Gabriel<\/strong> &#8211; <em>Au nom de l&#8217;\u00e9ternel<\/em> (2021)<br \/>\n<a href=\"https:\/\/www.thecanadianencyclopedia.ca\/fr\/article\/beluse-pierre\"><strong>B\u00c9LUSE Pierre<\/strong><\/a> &#8211;\u00a0 <em>Aikea<\/em> (2010)<br \/>\n<a href=\"https:\/\/www.brianblumemusic.com\/\"><strong>BLUM Brian<\/strong><\/a> &#8211; <em>Black racer<\/em> (2016)<br \/>\n<strong>BOBONY Samuel<\/strong> &#8211; <em>\u00c0 grand fracas<\/em> (2020)<br \/>\n<strong>BOUDREAU L\u00e9a<\/strong> &#8211; <em>Jeux d&#8217;eau<\/em> (2020)<br \/>\n<a href=\"https:\/\/www.timbrady.ca\/\"><strong>BRADY Tim<\/strong><\/a> &#8211; <em>La Grande acc\u00e9l\u00e9ration<\/em> (2025)<br \/>\n<a href=\"https:\/\/www.timbrady.ca\/\"><strong>BRADY Tim<\/strong><\/a> &#8211; <em>Fast<\/em><br \/>\n<a href=\"https:\/\/www.joshuabucchi.com\/\"><strong>BUCCHI Joshua<\/strong><\/a> &#8211; <em>Sillons<\/em> (2018)<br \/>\n<strong>BURGAN Patrick<\/strong> &#8211; <em>Bat\u00e8ches<\/em> (2014)<br \/>\n<strong>CAGE John<\/strong> &#8211; <em>Third construction<\/em><br \/>\n<strong>CAGE John<\/strong> &#8211; <em>First construction (in metal)<br \/>\n<\/em><strong>CAGE John<\/strong> &#8211; <em>Second construction<\/em><br \/>\n<strong>CAGE John<\/strong> &#8211; <em>Imaginary landscape n. 1<\/em><br \/>\n<strong>CAGE John<\/strong> &#8211; <em>Imaginary landscape n. 2<\/em><br \/>\n<strong>CAGE John<\/strong> &#8211; <em>Imaginary landscape n.3<\/em><br \/>\n<strong>CAGE John<\/strong> &#8211; <em>Imaginary landscape n. 4<\/em><br \/>\n<strong>CAGE John<\/strong> &#8211; <em>Imaginary landscape n.5<\/em><br \/>\n<strong>CAGE John<\/strong> &#8211; <em>Music for 6<\/em><br \/>\n<strong>CAMILO Michel<\/strong> &#8211; And Sammy walked in (2013)<br \/>\n<strong>CATAL\u00c3O Jo\u00e3o<\/strong> &#8211; <em>Lucida ou c\u00ednica ?<\/em> (2013)<br \/>\n<strong>CELLA Carmine Emanuele<\/strong> &#8211; <em>Inside out<\/em> (2017) ; <em>Dendrum<\/em> (2021) ; <em>Kore<\/em> (2019)<br \/>\n<strong>CHAMPAGNE Eric<\/strong> &#8211; <em>Onde de choc<\/em> (2020, r\u00e9v. 2022)<br \/>\n<strong>CHERNEY Brian<\/strong> &#8211; <em>S\u00e9r\u00e9nade triste\u00a0<\/em><br \/>\n<a href=\"https:\/\/pas.org\/anthony-j-cirone\/\"><strong>CIRONE Anthony J.<\/strong><\/a> &#8211; <em>4\/4 for four<\/em> (1969)<br \/>\n<a href=\"https:\/\/videophase.net\/fr\/a-propos\/julien-compagne\"><strong>COMPAGNE Julien<\/strong><\/a> &#8211;<em> N\u00dc_6<\/em> (2013)<br \/>\n<strong>CUEVAS SAN FELIPE Oihana<\/strong> &#8211; <em>Hors de la voili\u00e8re<\/em> (2021)<br \/>\n<strong>DALL&#8217;ARA-MAJEK Ana<\/strong> &#8211; <em>L\u00e0-bas, ici<\/em> (2016)<br \/>\n<strong>DEBUSSY Claude<\/strong> &#8211; <em>La marche de la poup\u00e9e de chiffon<\/em> (1906, arr. pour percussions Jo\u00e3o Catal\u00e3o, 2023)<br \/>\n<strong>DE MAN RODERICK<\/strong> &#8211; <em>Zest\u00a0<\/em><br \/>\n<strong>DE MEY Thierry<\/strong> &#8211; <em>Pi\u00e8ces de gestes<\/em> (2008)<br \/>\n<strong>DOWNES David<\/strong> &#8211; <em>Painting with breath<\/em><br \/>\n<a href=\"https:\/\/www.radiofrance.fr\/francemusique\/podcasts\/le-concert-de-20h\/archives-jean-pierre-drouet-9075561\"><strong>DROUET Jean-Pierre<\/strong><\/a> &#8211;<em> Bis<\/em> (2015) ; <em>Rencontre amicale<\/em> (1991)<br \/>\n<strong>DUGGAN Mark<\/strong> &#8211;<em> Malandragem<\/em> (2012, arr. Sixtrum 2023)<br \/>\n<strong>DUGGAN Mark<\/strong> &#8211; <em>La machinerie de l&#8217;angoisse<\/em> (2021, orchestration de <em>L\u2019angoisse des machines<\/em> d\u2019Alain Thibault, 1989)<br \/>\n<strong>DUGUAY Hugo<\/strong> &#8211; <em>Nu\u00e9es<\/em> (2021)<br \/>\n<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Louis_Dufort\"><strong>DUFORT Louis<\/strong><\/a> &#8211; <em>Yutir\u00f6p<\/em> (2010)<br \/>\n<a href=\"https:\/\/www.kennedy-center.org\/education\/resources-for-educators\/classroom-resources\/media-and-interactives\/artists\/tan-dun\/\"><strong>DUN Tan<\/strong><\/a> &#8211; <em>Water music<\/em> (2004)<br \/>\n<strong>EDWARD Wolf<\/strong> &#8211; <em>Irons<\/em><br \/>\n<strong>EDWARD Wolf<\/strong> &#8211; <em>Ico<br \/>\n<\/em><strong>GARANT Serge<\/strong> &#8211; <em>Circuit I<\/em><br \/>\n<a href=\"https:\/\/nicolasgilbert.ca\/\"><strong>GILBERT Nicolas<\/strong><\/a> &#8211; <em>Les m\u00e9canismes de l&#8217;esquive<\/em> (2009)<br \/>\n<strong><a href=\"https:\/\/brunoginer.wixsite.com\/brunoginer\">GINER Bruno<\/a> <\/strong>&#8211; <em>M\u00e9moires de peaux<\/em> (2011)<br \/>\n<strong><a href=\"https:\/\/brunoginer.wixsite.com\/brunoginer\">GINER Bruno<\/a><\/strong> &#8211; <em>Images de peaux<\/em><br \/>\n<a href=\"https:\/\/www.instagram.com\/emile_gingras.therrien\/\"><strong>GINGRAS-THERRIEN \u00c9mile<\/strong><\/a> &#8211; <em>Sous le plomb des nuages \u00e9vanouis<\/em> (2021)<br \/>\n<strong>GLASS Philip<\/strong> &#8211; <em>Mad Rush<\/em>\u00a0(1979, arr. Philip Hornsey 2023)<br \/>\n<strong>GOUGEON Denis<\/strong> &#8211; <em>Un train pour l&#8217;enfer<\/em><br \/>\n<a href=\"https:\/\/levivier.ca\/fr\/le-vivier\/membres\/organismes\/julien-gregoire\"><strong>GR\u00c9GOIRE Julien<\/strong><\/a> &#8211;<em> Sistrum<\/em> (2022)<br \/>\n<strong>GRISEY G\u00e9rard<\/strong> &#8211; <em>Tempus ex machina<br \/>\n<\/em><strong>GRISEY G\u00e9rard<\/strong> &#8211; <em>St\u00e8le<br \/>\n<\/em><strong>GUBAIDULINA Sofia<\/strong> &#8211; <em>In Etwartung<br \/>\n<\/em><strong>GUBAIDULINA Sofia<\/strong> &#8211; <em>In the beginning was rythm<\/em><br \/>\n<strong>GUIMAR\u00c3ES Marco Ant\u00f4nio<\/strong> &#8211; <em>Onze \/ Eleven<\/em> (1996)<br \/>\n<strong>HARMAN Chris Paul<\/strong> &#8211; <em>When time turns around<\/em> (2021)<br \/>\n<strong>HARMAN Chris Paul<\/strong> &#8211; <em>\u2026we no longer worship at the alter [sic] of Beethoven\u2026<\/em> (2023)<br \/>\n<strong>HARMAN Chris Paul <\/strong><em>&#8211; This is not America<\/em><br \/>\n<strong>HARRISON Lou<\/strong> &#8211; <em>Ibu Trish<\/em> (1987, arr. Evergreen Club Contemporary Gamelan, 2021)<br \/>\n<strong>HERV\u00c9 Jean-Luc<\/strong> &#8211; <em>Ralentir\/situer<\/em><br \/>\n<strong>HIGDON Jennifer<\/strong> &#8211; <em>Splendid Wood<\/em> (2006)<br \/>\n<strong>HOLBROOK Geof<\/strong> &#8211; <em>Glitch<\/em><br \/>\n<strong>HUI M\u00e9lissa<\/strong> &#8211; <em>Retak<\/em> (2021)<br \/>\n<strong><a href=\"https:\/\/www.pierrejodlowski.com\/\">JODLOWSKI Pierre<\/a> <\/strong>&#8211; <em>M\u00e9cano 1<\/em> (2004)<br \/>\n<strong><a href=\"https:\/\/www.pierrejodlowski.com\/\">JODLOWSKI Pierre<\/a> <\/strong>&#8211;<em> 24 loops<\/em> (2007)<br \/>\n<strong>KAGEL Mauricio<\/strong> &#8211; <em>Exotica<\/em><br \/>\n<strong>KAPLAN Adolfo, ZICOLILLO Silvina, GIULIANI Matias<\/strong> &#8211; <em>Performers enter the stage, but this time they remain facing the audience<\/em> (2016)<br \/>\n<strong>LABB\u00c9 Pierre<\/strong> &#8211; <em>Alerte au triton<br \/>\n<\/em><strong>LEBLANC Jimmy<\/strong> &#8211; <em>La princesse n&#8217;avait d&#8217;yeux que pour la profondeur de l&#8217;univers<\/em><br \/>\n<strong><a href=\"https:\/\/www.lerouxcomposition.com\/fr\/\">LEROUX Philippe<\/a> <\/strong>&#8211; <em>De la vitesse<\/em> (2001)<br \/>\n<strong><a href=\"https:\/\/www.lerouxcomposition.com\/fr\/\">LEROUX Philippe<\/a> <\/strong>&#8211; <em>De l&#8217;it\u00e9ration<\/em> (2012)<br \/>\n<a href=\"https:\/\/www.lerouxcomposition.com\/en\/pages\/works.html\"><strong>LEROUX<\/strong> <strong>Philippe<\/strong><\/a> &#8211; <em>Les uns<\/em> (2001)<br \/>\n<strong>LIGETI Gy\u00f6rgy<\/strong> &#8211; <em>Etudes pour piano<\/em> (1978), s\u00e9lection. Transcription du piano pour percussion par John Rea.<br \/>\n<strong>LEVASSEUR Hugo<\/strong> &#8211; <em>Convergence<\/em> (2018)<br \/>\n<a href=\"https:\/\/brahms.ircam.fr\/fr\/michael-levinas\"><strong>LEVINAS Micha\u00ebl<\/strong> <\/a>&#8211; <em>Transir<\/em> (2005)<br \/>\n<strong>LIZ\u00c9E Nicole<\/strong> &#8211; <em>The man with the golden arms<\/em><br \/>\n<strong>LOBO Edu<\/strong> &#8211; <em>Ponteio<\/em> (1971, arr. Jota Moraes, 2019)<br \/>\n<strong>LONGTIN Michel<\/strong> &#8211; <em>Lettre posthume de Conrad<br \/>\n<\/em><strong>MARANDOLA Fabrice<\/strong> &#8211; <em>X-trum<br \/>\n<\/em><strong>MARANDOLA Fabrice<\/strong> &#8211; <em>Coeur de tambour<br \/>\n<strong>MAO Jin Xin<\/strong> &#8211; Contra-barocum (2021)<\/em><br \/>\n<a href=\"https:\/\/www.alexandros-markeas.com\/compositions\"><strong>MARKEAS Alexandros<\/strong><\/a> &#8211; <em>Metatropes<\/em> (2016)<br \/>\n<a href=\"https:\/\/martinmatalon.com\/le-scorpion\/\"><strong>MATALON Martin<\/strong><\/a> &#8211; <em>Le scorpion<\/em>\u00a0(2002)<br \/>\n<strong>MATHER Bruce<\/strong> &#8211; <em>4 \u00e9tudes pour percussion<\/em><br \/>\n<strong>McPHEE Colin<\/strong> &#8211; <em>Balinese Ceremonial Music<\/em> (1934 \/ arr. F.Marandola 2022)<br \/>\n<strong>MERKER CASTELLANI Felipe &#8211; <\/strong><em>Espaces d&#8217;interaction<\/em> (2014)<br \/>\n<a href=\"https:\/\/www.pierremichaud.info\/\"><strong>MICHAUD Pierre <\/strong><\/a>&#8211; Le r<em>\u00eave de Gr\u00e9goire<\/em> (2014)<br \/>\n<strong>MILHAUD Darius <\/strong><em>&#8211; L&#8217;homme et son d\u00e9sir<\/em><strong><br \/>\n<\/strong><strong>MONK William Henry<\/strong> &#8211; <em>Abide with me<\/em> (1861, arr. Sixtrum 2023)<br \/>\n<strong>MOTTET Gilles<\/strong> &#8211; <em>L&#8217;homme et son miroir<\/em><br \/>\n<strong>MUSSER Clair Omar<\/strong> &#8211; <em>Pr\u00e9lude Op.11, n. 3 <\/em>(1948, arr. pour percussions Jo\u00e3o Catal\u00e3o, 2023)<br \/>\n<strong>NOBLES Jordan<\/strong> &#8211; <em>Still life<\/em> (2006, r\u00e9v. 2011)<br \/>\n<strong>NORMANDEAU Robert<\/strong> &#8211; <em>Baobabs<\/em> (2012)<br \/>\n<a href=\"https:\/\/www.alejandraodgers.com\/\"><strong>ODGERS Alejandra<\/strong><\/a> &#8211;<em> Nanatasis<\/em> (op\u00e9ra, 2025)<br \/>\n<strong>PAPADOR Nicholas<\/strong> &#8211; <em>Is anything wrong ?\u00a0 I heard drums&#8230;<\/em> (2018)<br \/>\n<strong>PASCOAL Hermeto<\/strong> &#8211; <em>Entrando pelos canos<\/em><br \/>\n<strong>PENHA Gustavo<\/strong> &#8211; <em>Presque un murmure sans son<\/em> (2016)<br \/>\n<strong>PENIDO Gabriel<\/strong> &#8211; <em>Jacico\u00e8<\/em><br \/>\n<strong>PERRON Alain<\/strong> &#8211; <em>D\u00e9b\u00e2cle<\/em> (2015)<br \/>\n<strong>PIAZZOLA Astor<\/strong> &#8211; <em>Vibraphonissimo<\/em> (1986, arr. Jo\u00e3o Catal\u00e3o 2023)<br \/>\n<a href=\"https:\/\/en.wikipedia.org\/wiki\/Jean_Pich%C3%A9\"><strong>PICH\u00c9 Jean<\/strong><\/a> &#8211; <em>K&#8217;anchay<\/em> (2010)<br \/>\n<a href=\"http:\/\/www.thepoh.com\/\"><strong>POHU Sylvain<\/strong> <\/a>&#8211; <em>Beat<br \/>\n<\/em><strong>POHU Sylvain<\/strong> &#8211; <em>Sur les traces des \u00e9l\u00e9phants blancs<br \/>\n<\/em><strong>PROVOST Serge<\/strong> &#8211; <em>Le r\u00eave d&#8217;Ahmed<br \/>\n<\/em><strong>RADFORD Laurie<\/strong> &#8211; <em>The body loop<\/em><br \/>\n<a href=\"https:\/\/saskatoonsymphony.org\/evelin-ramon-composer\/\"><strong>RAM\u00d3N Evelin<\/strong><\/a> &#8211; <em>Osh\u00fan<\/em> (2016),<br \/>\n<strong><a href=\"https:\/\/stevereich.com\/\">REICH Steve<\/a><\/strong> &#8211; <em>6 Marimbas<\/em> (1986)<br \/>\n<strong><a href=\"https:\/\/stevereich.com\/\">REICH Steve<\/a> <\/strong>&#8211; <em>Drumming<\/em> (1970-71)<br \/>\n<strong><a href=\"https:\/\/stevereich.com\/\">REICH Steve<\/a> <\/strong>&#8211; <em>Music for pieces of wood<\/em> (1973)<br \/>\n<strong><a href=\"https:\/\/stevereich.com\/\">REICH Steve<\/a> <\/strong>&#8211; <em>Clapping music<\/em> (1972)<br \/>\n<a href=\"https:\/\/alithea6669.wixsite.com\/alithearipoll\"><strong>RIPOLL Alith\u00e9a<\/strong><\/a> &#8211; <em>K\u0101l\u012b<\/em> (2021)<br \/>\n<strong><a href=\"https:\/\/www.neyrosauro.com\/\">ROSAURO Ney<\/a> <\/strong>&#8211; <em>Sambamarimba blues<\/em> ( 2011), <em>Concerto n. 2 pour vibraphone et ensemble \u00e0 percussion<\/em> (2014. rev. 2024)<br \/>\n<a href=\"https:\/\/remyrousseaumusiqu.wixsite.com\/remyrousseau\"><strong>ROUSSEAU R\u00e9my<\/strong><\/a> &#8211; <em>A history of industrial r\u00e9volution<\/em> (2021)<br \/>\n<a href=\"https:\/\/www.thecanadianencyclopedia.ca\/fr\/article\/roy-myke\"><strong>ROY Mike<\/strong><\/a>\u00a0&#8211; <em>Pierre qui roule n&#8217;amasse pas Paradiddles gather no moss<\/em> (2009)<br \/>\n<strong>SCHINSTINE William J.<\/strong> &#8211; <em>Scherzo without instruments<\/em> (1978)<br \/>\n<strong><a href=\"https:\/\/emmanuelsejourne.com\/\">S\u00c9JOURN\u00c9 Emmanuel<\/a><\/strong> &#8211; <em>Vous avez du feu ?<\/em> (1999)<br \/>\n<strong>SEO Juri<\/strong> &#8211;\u00a0 <em>\u6c34\u00a0\u2013\u00a0<\/em><span lang=\"en-US\"><em>Shu\u00ee<\/em> (2017, arr. Sixtrum 2023)<br \/>\n<strong>SIXTRUM<\/strong> &#8211; <em>Voyage au Qu\u00e9bec<\/em> (2015)<br \/>\n<strong>SOUMAH Corie Rose<\/strong> &#8211; <em>Particules anesth\u00e9si\u00e9es<br \/>\n<\/em><strong>STOUT Gordon<\/strong> &#8211; <em>Four faces<\/em><br \/>\n<strong>SVIDZINSKI Jo<\/strong><\/span><strong>\u00e3o<\/strong> &#8211; <em>Les \u00e2mes remerci\u00e9es<\/em> (2016)<br \/>\n<strong>THIBAULT Dominic &amp; BOUCHER Myriam<\/strong> &#8211; <em>Polytope XXI<\/em> (2022)<br \/>\n<strong>THIBAULT Dominic<\/strong> &#8211; <em>C\u00e9l\u00e9rit\u00e9<\/em> (2020)<br \/>\n<strong>THIBAULT Dominic<\/strong> &#8211; <em>Reckless brown dreams<\/em><br \/>\n<a href=\"https:\/\/ivandrums.com\/\"><strong>TREVINO Ivan<\/strong><\/a> &#8211; <em>Shared spaces<\/em> (2015)<br \/>\n<strong>TZORTZIS Nicolas<\/strong> &#8211; <em>Digression<\/em><br \/>\n<strong>VALENTINO Vinny<\/strong> &#8211; J Ben Jazz, arr. Damon Grant (2011)<br \/>\n<strong>VIVIER Claude<\/strong> &#8211; <em>Pulau Dewata<\/em> (1977, orch. pour 12 percussions par Fabrice Marandola, 2008)<br \/>\n<strong>VIVIER Claude<\/strong> &#8211; <em>Aikea, cinq chansons pour percussion<\/em> (orch. Pierre Beluse)<br \/>\n<strong>VOROSOVA Jana<\/strong> &#8211; <em>Zoom<\/em><br \/>\n<strong>WAGOGO GOGO<\/strong> (musique trad.) &#8211; <em>Mkwajungwoma<\/em> (arr. F. Marandola)<br \/>\n<strong>WESTLAKE Nigel<\/strong> &#8211; <em>Omphalo Centric Lecture<\/em> (1984 ; version 2 marimbas 2007)<br \/>\n<a href=\"http:\/\/www.choroi.net\/jwbio.htm\"><strong>WOOD James<\/strong><\/a> &#8211;<em> Cloud Polyphonies<\/em>, &#8221;Starlings&#8221; (2010)<br \/>\n<a href=\"https:\/\/www.iannis-xenakis.org\/\"><strong>XENAKIS Iannis<\/strong><\/a> &#8211; <em>Pl\u00e9iades<\/em> (1978)<br \/>\n<strong>XENAKIS Iannis<\/strong> &#8211; <em>Okho<br \/>\n<\/em><strong>YOUNG Nina C.<\/strong> &#8211; <em>Etched in sand<\/em>[\/vc_column_text][vc_empty_space]<a  itemprop=\"url\" href=\"https:\/\/sixtrum.com\/en\/sixtrum-2\/collaborations\/%20\" target=\"_self\"  class=\"qbutton  default\" style=\"\">Artistic Collaborations<\/a>[\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; padding_top=&#8221;64&#8243; padding_bottom=&#8221;64&#8243;][vc_column width=&#8221;5\/6&#8243;][vc_column_text css=&#8221;&#8221;] R\u00e9pertoire 18 years of percussion exploration Clicking on the composer&#8217;s name will take you to their website or a page dedicated to them. Clicking on&#8230;<\/p>\n","protected":false},"author":4,"featured_media":2433,"parent":1047,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-3259","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>R\u00e9pertoire - Ensemble \u00e0 percussion Sixtrum<\/title>\n<meta name=\"description\" content=\"Depuis 2007, Sixtrum explore l\u2019univers de la percussion contemporaine, se forgeant une signature \u00e0 Montr\u00e9al et \u00e0 l&#039;international.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sixtrum.com\/en\/sixtrum-2\/repertoire\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00e9pertoire - 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